Theatre: A play on nuclear weapons - (inspired by "me"): A Family Business | UK Première at Warwick Arts Centre, March 1st and 2nd

Posted: 17th February 2023

Hi all

Hope you’re doing well.

 

I just wanted to share some theatre news that is quite exciting for us in ICAN – at the start of March there is going to be a premiere in Warwick of a play about nuclear weapons and featuring the initiative for the TPNW, inspired by some conversations the playwright had with Vero from the ICRC (who many of you may know – I believe she also features as a character in the play!).

 

They are hoping to put the play on in New York on the margins of the second meeting of states parties this autumn too.

 

I will miss the play in Warwick unfortunately as I won’t be in the country, but wanted to circulate the details in case this is of interest to anyone in the network and in case you want to make anything of it too – I believe Vero is going to be there for the premiere. See below!

 

Best

Elizabeth


Elizabeth Minor (she/her)

Advisor, Article 36

Tel/whatsapp: +44 7790 418 821

Skype: elizabeth.minor2

Timezone: London, UK. I work part time across Mon-Fri

 

-- Forwarded message -
From: Veronique Christory <[email protected]>

 

 “We (…)  witnessed a sight totally unlike anything we had ever seen before. The centre of the city was a sort of white patch, flattened and smooth like the palm of a hand. Nothing remained. The slightest trace of houses seemed to have disappeared. The white patch was about two kilometres in diameter. Around its edge was a red belt, marking the area where houses had burned, extending quite a long way further (…) covering almost all the rest of the city.”  According to witnesses encountered by Junod, in a few seconds after the blast “thousands of human beings in the streets and gardens in the town centre, struck by a wave of intense heat, died like flies. Others lay writhing like worms, atrociously burned. All private houses, warehouses, etc., disappeared as if swept away by a supernatural power. Trams were picked up and hurled yards away, as if they were weightless; trains were flung off the rails (…). Every living thing was petrified in an attitude of acute pain”.    Dr Marcel Junod, The Hiroshima disaster 

 

Dear colleagues and friends,

 

On Sunday, we celebrated the 2nd Anniversary of the entry into force of the landmark Treaty on the Prohibition of Nuclear Weapons which so many of you worked on to make it a reality. A treaty which aims to ensure that the unspeakable horror is never repeated and nuclear weapons are eliminated.

 

Today, another dream came true. A play about to change people’s awareness of nuclear weapons through a profound, emotional experience. This play that will be a wake-up call at a time when collective action and concrete, meaningful steps to reduce the risk of nuclear weapons has never been more urgent.

 

I met Chris Thorpe, a theater writer, at the Fringe Festival in Edinburgh in 2018. A long conversation on the TPNW became an inspiration for the play. 

 

The Premiere in the UK will take place on March 1st and 2nd in Warwick. Spread the word! 

 

Then in NY, hopefully during the 2nd Meeting of States Parties of the TPNW (Nov 26th - December 1st)

 

I hope to see you soon in Warwick!

 

Warm wishes, 

Véronique 

 

Tickets : https://www.warwickartscentre.co.uk/whats-on/MtM-a-family-business/

 

 

“Chris Thorpe wants you to think about nuclear weapons because they could kill you, and he wants you to talk about them more often. A theater writer from Manchester, England, with a long record of award-winning creative work on themes of nationality, identity, and borders, Thorpe’s newest project is a play intended to weave the total destructiveness of nuclear weapons into the fabric of everyday conversation. Interview: Chris Thorpe aims to give theatergoers an “emotional explosion” over nuclear weapons – Bulletin of the Atomic Scientists (thebulletin.org)

A Family Business, the show focuses on the human story of the struggle for nuclear disarmament. The show reveals the ordinariness of the decision makers who manage nuclear risks, and of the diplomats and activists working for disarmament. It portrays the ordinary relationships, the friendships and the antagonism, that exist between them, and demonstrates that the human dynamics between these “experts” are the same that underpin the everyday lives of ordinary people.”

We live in a world so connected we can access ongoing conflicts, and their implications, in real time. Even then, nuclear weapons still seem to exist in an untouchable space, controlled by political and diplomatic forces our everyday lives don’t connect with. But the people who manage these existential threats are still just that –people. And the nuclear issue is embedded in every aspect of our lives, even if we find it hard to notice. This show is about diplomats, activists, and the global threat of nuclear weapons. But it’s also a journey into what matters to us in this room, right now. How do we even start to deal with the global, when so much in our everyday needs fixing? And should we even separate the two?” 


Véronique

Senior Arms Adviser

International Committee of the Red Cross (ICRC)

Delegation to the UN

801 2nd Avenue, 18th floor

New York, NY, 10017

T +646-641-4076

Twitter @VChristory


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